…because I’m on it. 😉
Latvian gig
Didn’t really know what a big deal this event was gonna be, but it seems to be getting quite a reaction on the Baltic and Russian message boards. Apparently this is the fifth and final party at this venue, and it’s supposed to be this crazy old factory (presumably Soviet).
All 3 floors are gonna be in use this time as follows:
———————————————————————–
++ THE MAIN (3rd) DRUM&BASS FLOOR ++
———————————————————————–PARADOX L!VE (London, UK)
– Paradox Music / Secret Operations / Metalheadz / ReinforcedMACC L!VE (London, UK)
– Subtle Audio / Breakin’ / Counter Intelligence / Exegene / OutsiderSEBA (Stockholm, Sweden)
– Secret Operations / Paradox Music / Metalheadz / Soul:r Rec.FANU (Helsinki, Finland)
– Subtle Audio / Subtitles / Warm Communications / Lightless Rec.MC BASQUETTE (Tallinn, Estonia)
– DifferenceMC RIDA-B
– Viberations / drumandbass.lvWORM
– drumandbass.lvFEE.NIX-Z
– Bio.Codes / drumandbass.lv / Bio.RitmiMIND b2b X3NO b2b DEVINE
– TestOne / drumandbass.lvSKRATCH b2b PHLASH-B
– Viberations / drumandbass.lvVJ Z99
– RitmikaVJ MR
– Rixc———————————————————————–
++ THE SECONDARY (1st) FLOOR ++
———————————————————————–TRISTAN WATKINS aka PHONOPSIA (Matrix Rec. / Metrotechno – London, UK)
– house-techno-breaksSMIRA (London, UK)
– breaksretro-maestro I. POLONYANOV & scratch-master DJ KRII L!VE
– deep-retro-scratchNGC-5128 L!VE (Fabrique / Ritmika / Exposed Audio)
– technoUNOUL (Bio.Codes)
– experimental-downtempoKONE (Värka Kru)
– electroclash!KSENIA KAMIKAZA (Intelligent Beats / downtempo.lv)
– trip-hop-acidjazzNIKOTINS (No Rest / Kentucky Tobacco)
– techno-electroSKRATCH b2b PHLASH-B (Viberations)
– soul-jazz-hip-hop-funk———————————————————————–
++ THE VIDEO (2nd) FLOOR ++
———————————————————————–some controversial movies and more..
More info later on, watch this space..
www.drumandbass.lv
And when I say ‘again’ I mean…
I was on the radio a week and a half ago, but I was in Dublin so I didn’t get a chance to notify anyone. It’s a mix I did a few months ago, but Toby was off-the-air for a while. Anyway… here’s the archive and scoop from Toby of Bleep Radio:
Last night’s tracklisting available to download at Bleep Recordings
a couple of sloppy mixes due to drunkenness, apologies…
TRISTAN WATKINS GUESTMIX
Patchworks – I Guess You Always Knew [Q-Tape]
Anton Mitchell – Simple Life [Chicago Underground]
Theo Parrish – Reaction to Plastic [Sounds Signature]
Stewart Walker – Missing Winter [Tektite/Force Inc]
Kenny Larkin – Life Goes On [R&S]
Mike Ink – Paroles (Mike Ink Remix 96) [Warp]
Infiniti – Walking on Water [Tresor]
Gemini – Day Dreaming [Peacefrog]
Jacek Sienkiewicz – Secret Life [Recognition]
Innervisions Presents Henrik Schwarz/Âme/Dixon Feat. Derrick L. Carter – Where We At (Version 1) [Sonar Kollektiv]
Basement Jaxx – Moradi [Atlantic Jaxx]
DJ Yoav B – Organ Satta [Delsin]
Dan Curtin – Undergroundz [Tuning Spork]
Yo La Tengo – Danelectro 2 (Remixed by Nobukazu Takemura) [Matador]
———————————————-
Fun Fun – Happy Station (Polydor)
Todd Terje – Italian Stallion (Full Pup)
Quince – Americana (Delsin)
Capracara – Flashback 86 (Souljazz)
Marcus Mixx – Shake that Thing (Legowelt remix) (Clone)
Legowelt – Fitzcarraldo (Bunker)
E-Dancer – Feel the Food (Shield)
Jeff Mills & The Montpellier Philharmonic Orchestra – Gamma Player (Tresor)
Nathan Fake – Superpositions (Border Community)
Susumu Yokota – Distant Sounds of Summer (Lo Recordings)
Thom Yorke – Black Swan (XL Recordings)
On the radio again
I’m DJing on Dan Bean’s Chilled Out Passion show on Oxford’s Passion 107.9 FM this Friday night/Saturday morning from 1am-4am BST (that’s 8pm-11pm EDT). Prolly gonna do all CDs and pull out some mid-90s ambient and ambient dub/house stuff. Trip down memory lane and all that. 🙂 Should have a good chunk of time too. Tune in if you fancy it!
New records
A long-overdue catch-up:
Two I forgot about
STEREOLAB: FAB FOUR SUTURE [TOO PURE]
DATASSETTE / PLANT 43: SPLIT 1 [AI]
KING GEEDORAH: Take Me To Your Leader (Big Dada) LATE
VARIOUS: The Electric Institute (New Religion) LATE
SMBP: Stars Falling EP (Citymorb Italy)
MASKELA, Hugh: The Boy’s Doin’ It (Carl Craig remix) (Verve) for the Carl Craig remix
ALIF TREE: Forgotten Places (remixes) (Compost Germany) for the Moodymann remix
TOM PROJECT: Renaissance (Sound Signature US) LATE
MF DOOM: Vomit (Super Bro US)
HERBERT, Matthew feat MARA CARLYLE/RJD2: Nice Dream (Exit France)
ROSE, Jesse: More Than One: LP Sampler 2 (Front Room) for the Henrik Schwarz remix
MODEL 500: The Flow (repress) (R&S Belgium) for the Jedi Knights remix
MODEL 500: Deep Space (repress) (R&S Belgium)
POINT BLANK: Meng’s Theme (remixes) (repress) (R&S Belgium)
HERBERT: Scale (K7)
MOST KEYS ARE AUTO REPEAT: Old As Ice (Lazycuts Germany)
GONZALEZ, Delia & GAVIN RUSSOM: Relevee (remixes) (DFA UK) for the Carl Craig remix
RHYTHM & SOUND: See Mi Yah Remixes #3 (Burial Mix Germany) for the Vainquer remix
D5: Neutrino EP (Delsin Holland)
DJ GREGORY: Faya Combo Cuts Vol 3 (Faya Combo France)
POINT B: Cutouts (SCSI)
Loads of good represses form R&S here and on the way. Clasic stuffs. Some of what formed my tastes the most.
The new Herbert album is nice. Here’s a review I posted up on [313] the other day:
So I know this isn’t [313]-germain per se, but we’ve talked about new Herbert albums every time they come out, so… may as well do it again.
There’s clips, a free mp3 and video up here: http://www.herbert-scale.com/.
I think the track in the video is a good example of what a lot of the album is like. It’s absolutely drenched in live string orchestrations, but in more of a disco way than the big band album perhaps? I guess he uses them in lots of ways but I think they really tie this album together. Dani Siciliano and Neil Thomas team up really nice on the vocals as well. It’s not particuarly dancefloor orientated but there are a couple of tracks that will work for sure. Anyway… I’ve only heard it twice so far but I think it’ll be a real grower.
That Point B 12″ is the nuts. It’s playing now Really mad down-tempo electro. Saw him live in August and he blew me away. Stumbled across this and it’s doing the same. I rarely buy electro, so consider this a TIP!
The new Auto-Repeat is a welcome return. Need more DJ Elin!
The Plant 43 thing up at the top is yet more electro, this time from my friend Emile, who makes wicked melodic stuff. Check it.
I think the rest of this stuff is more widely known/anticipated. Check the new DJ Gregory for the B-side though. Oh, and the D5 is super-bad. Brilliant Deslin-techno.
SPAM
A remix of one of my tracks, ‘Frosting’ is out soon on Andrew Duke’s Consumer vs. User album. I finished it in 2001. He finished the remix maybe a year or so later, and finally it’s made its way on to CD. Mastered by Mark Gage of Vapourspace no less! Here’s the blurb.
I am thrilled to announce that my Consumer vs. User album is out now and available on CD on California’s Phthalo:
http://www.phthalo.com/cat.php?cat=phth40Phthalo has always been one of my favorite electronic music labels, and it is a priviledge to be on an imprint with faves of mine including Phthalocyanine, OST, Kit Clayton, Vladislav Delay, Massaccesi, Mimi + Boyd (ie Vapourspace and Punisher), Eight Frozen Modules (ie [a]pendics shuffle), Blectum From Blechdom, and many many more.
Consumer vs. User is rugged and rhythmic and raw, yet detailed and open and spacious, sort of like a distant cousin of my Sprung album–which was released on Bip-Hop and went on to be nominated for Album of the Year (Electronica) at the Canadian Independent Music Awards. There’s even DJ-friendly material on here, too (some straightforward, some more adventurous).
This album is mastered by Mark “Vapourspace” Gage, one of my early techno heroes, and features two collaborations with the USA’s Massaccesi and a remix of a track from the UK’s Tristan “Phonopsia” Watkins (a long-time 313-Detroit mailing-list member).
In part, the album is titled in a nod to I-F’s wonderful and inspirational Fucking Consumer album released in 1998 on Disko B. The album is dedicated to the memory of three whose artistry touched me
deeply: Aaliyah Haughton, Jose “Chep” Nunez, and James Stinson.Here is what Phthalo’s Phthalocyanine writes about this album:
“Consumer vs. User is Andrew’s first appearance on Phthalo. It is a focused study, filling out unlikely accent schemes with abstract DSP techniques. The aesthetic is semi-derived from something reminiscent of classic Detroit minimal techno (I think of Terrence Dixon, Kevin Saunderson, and early Plus 8 stuff like the stark, controlled acid bass stabs of Heinrich Tillack AKA Sysex). I also however hear our label, Phthalo, embedded in this work, particularly references to the extensive exploration of heavily processed, raw, beaten-up drum machines given to us by O.S.T. (Chris Douglas) (e.g. Phthalo#09: O.S.T. Live @ Static) and Phthalocyanine (e.g. Phthalo#05: Phthalocyanine: Zacks e.p.) in the late 90’s. These ideas work here as the point of departure for a music that is meticulously arranged and much richer in variation than vernacular minimal techno, though much more ‘moderate’ than O.S.T.’s work. ”Stay tuned for details on a remix contest that will involve remixing one of the tracks from Consumer vs. User. The best remixes will be released and there may even be some prizes.
You can hear one of the tracks from this album–an electro/idm-ish song–in the player on http://myspace.com/andrewduke
Friendly reminder
Just in case anyone only reads this and not the local message boards.
To The Bone : Murder on the Dancefloor
Following an unfortunate incident at the George IV* on the morning of our last party, Brixton’s least appropriately-classified pub got shut down for 30 days. We relocated to Stockwell – to a real pub with old people and toilet seats. Sendex played three of the finest hours of live music any of our forty-three customers had ever heard. He was ridiculously, ridiculously good.
And then Max Duley performed a one-man re-enactment of Madonna’s Vogue Tour Stage Show. Needless to say, the night belonged to Duley. He’s back this month with a self-choreographed HI-NRG routine to be accompanied by the Pointer Sisters’ Jump (For My Love). Come marvel at a dancer at the very top of his profession.
DJs
Phonopsia
Nick Craddock
Jamie Steere
Charlie Blue & Tony LittleGeorge IV
144, Brixton Hill
10pm-4am // £5*a resident child prostitute known to customers as Little Lord Fontanelle was drugged, raped and eaten to death on the dancefloor
New records
DABRYE feat DOOM: Air (Ghostly International US)
-Just ordered this today on the strength of the clip and a coupla recommendations. Sounds dope! Really original, while MF DOOM is sounding uncharacteristically fierce with his delivery (in a good way).
WRIGHT, Bobby/KENNETH COATS/ROY DAVIS/STEVE POINDEXTER/BRIAN HARRIS/ANTON
MITCHELL: Sex Chants (Chicago Undergound US)
-This is that thing I mentioned in passing the other day. The Anton Mitchell and Davis/Poindexter/Harris tracks are excellent. The former sounds like 80s Chicago house in a circus tent, the latter sounds kinda like what you might imagine with these three guys – on the deeper side of their output, I guess.
Good trumpet in it anyway, if a fairly grim recording.
LARKIN, Kenny: Azimuth (Rushhour Holland)
-Very happy for this repressing
CURTIN, Dan: Tricks (part 1) (Tuning Spork Germany)
-I think this is some of that stuff he played when I posted about his set at Spacebase fairly recently. Very nice stuffs, and most of it rather different than most of his output. Perhaps it’s boompty techno? Shove that in your sub-sub-genre critique! 😉
SIENKIEWICZ, Jacek: Double Secret (Recognition Poland)
-The dude is on fire. This one is slightly slower and perhaps even housier (??? in a hard to explain way) than a lot of his recent stuff. Very nice though
DJ YOAV B: Language Of The Open Heart EP (Delsin Holland)
-Late, I know, but really enjoying this. Very ballsy intro to the first track on the B-side
REDSHAPE: Shaped World EP (Delsin Holland)
-Sounds like a Kraftwerk geiger counter meets C2’s bassline from his remix of “Ain’t Changin'” to my ears
INNERVISIONS presents HENRIK SCHWARZ/AME/DIXON feat DERRICK L CARTER: Where We At (Sonar Kollektiv Germany)
-It’s about this [] shy of progressive, but works really well. Especially loud. I really like the vocal, but not sure if I should be embarassed about that. Don’t care
PUNGTANG: Sub Seducer (Planet E US)
-Wooo!
Sendex
So… it’s been a while since I’ve given a local update. Saw Sendex on Saturday at To the Bone. Seeing as most of y’all reading this will have seen my reports elsewhere by now, I’ll just say that he was phenomenal. He played live for 3 hours. Run, don’t walk if he’s ever near you.
From last Saturday through six weeks from then we will have had Kenny Larkin, ACGC, Britich Murder Boys, Domu, Larry Heard, Kirk Detroitio, Theo Parrish, Colin Dale, Aux 88, Fabrice Lig, DJ Bone, Akufen, most of Minus, Darshan Jesrani, Convextion, Hieroglyphic Being, Henrik Schwarz, Ame, Dixon, Stewart Walker, DJ Pete and Dynarec, not to mention the as-yet unannounced guests at Spacebass. I’ve got a real indication of a hangover coming on. London crews are really pushing things forward so far this year. Looks very promising.
A few more notes on Machinedrum
This thing has such a stupid level of control for a) hardware, and b) a drum machine – in one. It’s crazy. The parameter locks are probably the coolest function, which allow you to take a normal step sequencing drum machine and tweak the hell out of any one of the 24 parameters which colour the sound for just that note, or for any note that you want to do it to. Then you can adjust the ‘slide’, which tells it how much to ‘fade’ between the parameter settings on each different note (or the defaults if they haven’t been set on some notes). Then you can apply that slide on any combination of notes that you want to, so some parts of the pattern will blend and other parts will be more severe. It’s just crazy!
You can also get stoopid with swing and accent in a way that a good-ole drum machine just doesn’t permit. The effects sound very nice, the level of control you can get on the kicks is fairly unique in my experience, the muting interface seems like it will be perfect for live performance, and the mode of navigating between banks of patterns is really intuitive. It’s all just so well thought-out and most importantly the resultant sound delivers in every way from raw to crystal-clear.
I’m probably going to try making a few tracks with just the Machinedrum now because the stuff is sounding much different than what I would normally make, I don’t want to get distracted from learning it by trying to finish a song in the way I normally would, I want to get more practice with the live elements of the interface, and mostly I just really want to see what happens!