Antinomy I

This one’s a bit lengthy at just under three hours. Lots of house and techno along with some other bits. Unfortunately the second hour was probably a bit too ambitious, but hopefully it still stands up. 

2020 note: all mixes taken down for now to re-post at higher bitrate on Mixcloud in due course. If you’re at all keen for me to do this, please let me know and I will try and get anything specific you want to hear moved over ASAP.

Tracklist
Matthew Herbert – Nicotine (from Nicotine, short film) [Studio !K7]

Matthew Herbert Big Band Breathe [Studio !K7]

KossAir (MW Point 137E35 mix) [Mule Electronic]

Rondenion7 & 10 [Parker MusicWorks]

The MoleWhen It Tastes So Good, You Deserve It [Wagon Repair]

LowtecA1 [Workshop]

Reggie DokesBlack Children Of The Ghetto [Philpot]

IkeCluster Funk [Philpot]

Motor City Drum EnsembleFeel The Love [Four Roses Recordings]

Kelli HandHolding On [Third Ear Recordings]

Ibex Spiritual War [Third Ear Recordings]

Reggie DokesRain On Me [Philpot]

Keith Worthy Moon Dance [Third Ear Recordings]

Morphosis Baal [Morphine Records]

Arthur RussellArm Around You [Rough Trade]

Metro Area Soft Hoop [Environ]

Róisín Murphy Tell Everybody [EMI]

The Clash The Magnificent Seven [Sony]

Paul Johnson Hear The Music [Peacefrog Records]

Fabrice LigBump Bump [Versatile Records]

New Order Mr. Disco [Qwest Records]

Problem KidsI Will Lead (Hollway & Eastwick mix) [Paper Recordings]

Glenn Underground Disco Fusion [Defender Music]

Move DHeidelberg Gals (parts 1, 2 & 3) [Running Back]

Ron TrentJourneyn2u [Future Vision Records]

Mood Men feat Nina VidalWhy (A Gorgeous house mix) [CIMA Recordings]

DJ GregorySookoos [Defected]

Dave AjuOpen Wide [Circus Company]

Neil Landstrumm She-Ra (Extra Speaker Pop) [Peacefrog Records]

Exchange Bureau meets John Arnold Spookie Dookie [Third Ear Recordings]

Chateau Flight La Roquette [Versatile Records]

Kenny Larkin Bass Mode [Planet E]

Petar DundovRain (Echospace reduction) [Music Man Records]

Delano SmithTrans [Third Ear Recordings]

KadebostanCaracas Soul [Freude Am Tanzen]

Aroy DeeAll That Remains [M>O>S Recordings]

Tob JonaMetro 501 [a.r.t.less]

WbeezaLondon My Home [Third Ear Recordings]

Ben Klock Warszawa – Original Mix [Ostgut Ton ]

Jacek SienkiewiczMy Little Place [Cocoon Recordings]

PangaeaDeviant [Hessle Audio]

New rekkids

I really do hope to get around to doing some reviews for these ones.

Complete Albums
The Matthew Herbert Big Band – There’s Me & There’s You [Accidental]
Matthew Herbert – Score [!K7]
Arthur Russell – Calling Out Of Context [Audika]

Complete EPs
Martyn – Velvet [3024]
Martyn – Natural Selection [3024]
Martyn – Natural Selection (Flying Lotus/2562 remixes) [3024]
Flying Lotus – LA EP 1 X 3 [Warp]
2562 – Aerial (vinyl exclusive) [Tectonic]
Reggie Dokes – Galactic Connections / In A Better Place EP [Planet Harrier]
Aroy Dee – Summer EP [MOS Holland]
Jacek Sienkiewicz – My Little Place [Cocoon Germany]
Lowtec – Workshop 06 [Workshop]
Ron Trent – Journeyn2u [Future Vision]
Francesco Tristano – Auricle Bio On (Moritz Von Oswald Remixes) [Infine]
Reggie Dokes – Rain Redemptive Love EP [Philpot]
Ike – Pressin On [Philpot]

Individual tracks
Kelli Hand – Holding On [Third Ear]

Arthur Russell – Let’s Go Swimming (Walter Gibbons remix) [Audika]

Dimlite – Last Repetitions Pieces/Lorraine For The World [Astro Lab]
Take – Hollywood’nt [Astro Lab]

James Kumo – Koma [Ann Aimee]

Wbeeza – London My Home [Third Ear]

RippertonN & Alex Attias – The Last Hour (A&R edit) [Ann Aimee]

Rondenion – Precious Time [Parker MusicWorks]
Rondenion – 7 & 10 [Parker MusicWorks]

Dave Aju – Smog Check [Circus Company]
Dave Aju – Mallrats [Circus Company]

Dave Aju – Open Wide [Circus Company]
Dave Aju – Anyway [Circus Company]

Ibex – Spiritual War [Third Ear]
Keith Worthy – Moon Dance [Third Ear]
Exchange Bureau meets John Arnold – Spookie Dookie [Third Ear]

Population One – Radius [Frantic Flowers]

Motor City Drum Ensemble – Feel The Love [Four Roses]

Move D – Heidelberg Gals (parts 1, 2 & 3) [Running Back]

Martyn – Suburbia [Martyn Apple Pips]

Morphosis – Baal [Morphine]
Ra.H – Fall Of Justice [Morphine]

Delano Smith – Trans [Third Ear]

Poni Hoax – Antibodies (Chateau Flight remix) [Versatile]
Chateau Flight – La Roquette [Versatile]
I Cube – Supernovac (Live At The Lanchonette version) [Versatile]
Fabrice Lig – Bump Bump [Versatile]

Waldorf Microwave XT

New kit! I had previously convinced myself that my synth shopping was done, but I recently figured out that I would never bother using the ROMpler sounds in my RM1X (still digging it as a sequencer though) and that I didn’t need to be routing the out from my effects box in to one of the proper stereo channels in the mixer when there’s a “playback” channel that would accommodate that just fine. So I decided to fill these recently-emptied channels. I was initially toying with the idea of getting a Blofeld, but decided that since I have a Q that I love already, the XT would be the way to go. And it has two stereo outs.

I’ve not yet really spent any time with the manual, but the short amount of time I’ve spent fiddling with a couple of sounds has left me really impressed. Here’s some gear pr0n:

New synth:

Revised studio setup:

Now I just need to get some monitors and I should be basically done. There’s no space left in the mixer for expansion and no space on the desk for a larger mixer, so I think this should be a it for a while! Not that I’m left wanting, mind.

8118 Mix

New mix! Feels like a mix tape to me somehow. I purposefully kept it under 80 minutes to fit it on CD anyway. I think everything but the Plastikman track is pre-’97.

2020 note: all mixes taken down for now to re-post at higher bitrate on Mixcloud in due course. If you’re at all keen for me to do this, please let me know and I will try and get anything specific you want to hear moved over ASAP.

Seefeel – Through You [Too Pure]
Jam & Spoon – I Saw the Future [Apollo]
Le Gooster – Voyage Sur Hypnose [Shadow Records]
The Mighty Bop – Abstract Fever [Quango Records]
Sun Electric – O’locco (Orbital Therapy Part 2) [R&S]
The Orb – Outland (Fountains Of Elisha Mix) [Big Life]
The Black Dog – Nommo [Warp]
Async Sense – Fa [Interference Records Berlin]
Larry Heard – The Dance of Planet X [Black Market International]
Sweet Exorcist – African [Touch]
Link & E621 – Antacid (Jedi Knights Remix) [Warp]
Plastikman – In Side [NovaMute]
Sysex – Goodbye [Plus 8]
Placid Angels – Now and Always [Peacefrog]
Irresistible Force – Snowstorm [Rising High]

A bit more discussion about the DS-10 from elsewhere

Replies from me:

Is it something that you could use to make releasable tracks? Releasable in the regular sense I mean, as opposed to on some release called something like “DS10 Trax” where people would allow it to sound a bit duff because it’s a concepty thing.

I’ve not put it through monitors to say, but I reckon it would be passable. Thing is, you’re just always going to be working with a quite limited number of sounds, and that would reduce the types of music you could properly make on it.

One other thing I’ve come to realise today is that the song mode is a bit disappointing, as you can’t actually modify things with the KAOSS pad, synth settings or effects in real time. You can still record distinct KAOSS pad movements in each pattern, but when the patterns are only 4 bars that’s a bit poo. This ultimately means you can do very little fading/effecting manipulation or you have to do everything on the fly in pattern mode (probably not the end of the world).

And how do you get your tracks off it? Does it render tracks to a .wav file or somat like that, and you then save the .wav to a memory card which you can then stick in another computer in order to pull it off?

Record the headphone jack output.

I like the idea of someone sat on the tube playing with something like this and spotting someone else opposite them doing the same. You’d then hit a “Jam!” button and choose whether you want to be the bassist, drummer etc. and then start making sweet sweet wireless jam music together.

Yeah, the “multi-player” mode could make things a bit more interesting. One person is master and the rest are slaves, as I understand it. Not totally clear on how that works in practice.

Incidentally, the patterns are only 1 bar in length, not 4- unless there’s something I’m missing?

No, you’re right. That’s my error. Up to 16 steps.

Moritz von Oswald – Early Morning Freestyles

Just started listening to this interview/Q&A with Moritz Von Oswald from the Red Bull Music Academy. It sounds as though it will be wicked. For those who don’t know, he’s one of the most influential electronic music producers… ever. Half of Basic Channel, Maurizio, Main Street and Rhythm & Sound – basically without whom, dubby techno is unliely to exist, at least as it does today. Pretty essential stuff I reckon. Big up to [313] for the tip.

Getting to grips with the DS-10

A few comments that I’ve posted up elsewhere:

Just had my first proper go on this. It’s pretty cool! Navigation is really friendly and intuitive. The kaos stuff is a nice plus. It’s a shame it’s only got the two synths and four drum patches, but you can use drum patch slots for synth sounds – they just have to be played monophonic. With a bit of luck this thing might teach me to work within constraints. Either that or we’ll have to form that band.

And:

Spent a bit more time with this tonight. There’s a few things I misunderstood. All four of the drum sounds have the full chromatic range but they have a separate effects section and there’s no KAOSS pad on those patches, just on the two synths.

The sequencer is a very basic up-to-4-bar old school 16th note step sequencer. Arrangement is just a string of up to 100 patterns chained. There are 16 patterns and each uses the same sound, effect and mixer settings.

The KAOSS pad is quite configurable and movements can be recorded and/or edited in the step sequencer. This is definitely one of the better features.

The effects are very basic but serviceable.

The synth sounds good. Basically does what it says on the tin.

I’m not seeing any way to back it up other than to transmit to another DS. Might need to look in to that in more detail.

Ultimately, with constraints like these, you’re unlikely to put together your next great opus on this thing, but with such a stripped-down set of features there’s very little to distract from the business of making music. I’m pretty sure I know it almost inside-out after just a couple of hours. All that said, it really is very fun to use and worth every penny of £125 (or £25 if you already own a DS).

Prosthetic Memory