Am just listening to Andrew Duke’s remixes of me for the 2nd time (first time on speakers). It’s bloody weird hearing someone remix you! The remix of ‘Frosting’ is not the first I’ve heard, since Christian Bloch has already had a go at it, but this one is really faithful to the original, but a nice variation, and about 50bpm slower. It’s really slow. The remix of ‘In Flight Defibrillator’, which he aptly titled ‘Flight 313’ is almost unrecognizeable, and much more dancefloor. I may need to play it out on Sunday. It’s quite driving and dubby with a slightly clicky edge. At any rate, this is cool stuff. Need more time to digest them!
Tag Archives: Christian Bloch
Pre-DEMF 2003
Thursday
…As I was saying, Thursday morning started with a trip to Detroit airport so we could return the rental car. We stopped one exit early in order to get gas. When I was walking in the building to pay for it, a guy pulled in bumping some amazing techno – I thought “Welcome to Detroit”. 🙂 Casey wandered in after me, and the guy did too. Casey asked him what he was playing and he said, “that’s me”! Wow. Turns out he’s 1/3 of Audiomatrix. We all chatted for a while, and then he guest-listed us for his Movement afterparty. More on that later, but he seemed a really nice chap.
Since we were nearly in Detroit, we’d planned to check out a free brunch and symposium at the Detroit Historical Museum, home of the new Detroit Techno exhibit that will soon be touring the world. The exhibit was a bit of a let-down, but the symposium was cool. Got to meet up with a few of the Techno Tourists early-on, and see a few of Jenn’s friends I hadn’t seen in a while. Also, the talks were really cool:
From there we were headed to Necto (F/K/A the Nectarine Ballroom) for the Minus party feat. Clark Werner, Magda and Richie Hawtin. On the way I jumped out of the car on the corner downstairs from where Dave’s Comics used to be, and got myself a cigar at a place next door to Stairway to Heaven (can’t believe that place is still around). From there I wandered up State Street to Liberty and saw the sites and sounds that comprised my first adolescent adventures circa ‘86-‘89. Once upon a time I wandered these streets with a skateboard in hand – a few years later I would be carting loads of debate evidence on the same streets. To say the least this was a flood of memories culminating in Necto, where I had my first clubbing experience at 14. Turns out that Jeff Mills used to DJ those same nights, although I suspect he was DJing later than the midnight curfew that was the teen-night terminus.
On entry we explored my old haunt. Everything was different. They moved the DJ booth, there was an outdoor deck, and a downstairs area I don’t remember. Magda was playing a groovy set on the main floor while the deck had yet to start. The night was so nice we mostly chilled on the deck until Clark Werner came on. Many people were seen. Many drinks were consumed. Eventually I persuaded myself to check out Hawtin, just as he was starting. As usual, I persuaded myself it was really captivating for about 10 minutes, then my patience was tested in the next ten minutes, then I got bored in the last ten minutes I allowed him. I am [] close to writing him off. I’m really getting tired of stories from Hawtin fans telling me I need to see him in the right venue. I don’t believe it. I just don’t like his flacid music. Dare I say it, he is progressifying techno, and that is pretty damn criminal. I’ll still listen to his production, but we’ve known for years that his production and DJing are very different things.
So… it was back out to the deck, where Clark Werner was continuing to play great music as always, and then things got a bit messier, and devolved into lots of drunken banter + overblown anti-Hawtin rants. End Thursday.
Friday
The next morning Ali and I walked up the street to the Village Kitchen, where I finally found my Belgian Waffle with Strawberries and Whipped Cream. True, it was not on a par with Maryland Diner quality, but it was 90% of the way there. On the way back I noticed we were across the street from Veteran’s park, the place where they built the skate park where I first tried out a ½-pipe. It was 32 feet wide, metal and 13 feet tall at the highest extension. I never got very good at skating ramp, but it was fun to try! It was great to see Ann Arbor again, standing in line outside the Necto, being 50 feet from the old home of Schoolkids Records, where I started my musical development, and another 50 feet from the BK where I landed my first job. It was a trip!
That afternoon we headed to the Omni so Ali and I could check into her and Gil’s room (I was staying there that Friday night). On the way we passed Portal, the old home of Submerge at 2030 Grand River, where I played Casey’s party with Traxx in August, and where we would see Felton Howard and Rob Hood on Saturday:
After checking in, Casey and I headed up to Dennis’s house in Southfield for his 2nd annual [313] party. Not as many familiar faces as last year, but good to see some new ones. These were the few that were familiar enough to pictorialize (or that I was smart enough to capture):
Around midnight we headed to the Corktown Tavern to try to take in some of the 7th City Party. I actually grabbed a cab from there, but it turned out that they weren’t letting anyone in anyway, so Magda and Dennis arrived at the Detroit Contemporary around the same time as me. Very silly… I’m fairly certain that my friend Barry AKA Kataconda was playing when we arrived. He mixed a CD set, featuring a lot of his own material from CD-R. Really nice stuff! Christian Bloch followed that with a walloping minimal techno set, TJ (Wraith) followed that with another good techno set, then I came on, thoroughly inebriated at this point. If I can trust the reviews, it turned out well, although I had to mix from techno down to house, which is one of the things I find hardest to do, especially when really drunk. At one point I was manually winding one record up to +10 while in the mix – that was just stupid, although I think it actually worked! I think I recognized my limits fairly soon though, since Mike (who was on after me) allowed me to play a ½-hour into his set, at which point the cops came and shut us down. ‘Twas a shame, but good that we got to go as late as we did, given that some of the other parties got crushed much earlier. It was a fun night, great to see all those peepz who I wouldn’t get to see for long throughout the rest of the festival, and always a treat to play in Detroit. Also great to finally meet John Shipman, who I’ve been chatting with online for ages. Great chap. We got to spend a lot of time together over the weekend, which was long overdue.
This is getting really long, so I’m going to split it into two posts. On to the festival. ->
ASR Pre-Movement Party (Detroit Contemporary)
Steve Roy will be performing a live experimental, minimal techno set along side Christian Bloch, Wraith, Katakonda, Tristan Watkins, Andew Ahrendt, and Minimalistic.
This will take place May 23 11:59pm-6am.
More details soon at ASR
The Detroit Contemporary is a shit-hot venue. One of my favorites in the world. Pitch-black, all headz, holds about 100-150. It’s the business.
I hope to sleep more than 4 hours tonight (what I’ve averaged this week) so I don’t sleep through my flight in the AM…
Next update from another continent. I hope to make many on the way. Toodle-oo.