Category Archives: Clubs/Parties

313 Weekend

No time to post now, but this is a recap via my post to [313]:

What an amazing two days! I first stopped by John (Ramar)’s new weekly at

the new club ‘the Lane’ on Osborne Street, just at the south end of Brick

Lane. I was there for most of the last 4 hours of his 6 hour set, and it was

excellent. The Voices crew are really doing some excellent stuff in London.

I’m not even sure where to begin in running down his set, but suffice it to

say that it would have met the approval of any DHP afficiando.

From there I wandered around the corner to catch the last hour of Tom

Churchill’s set. F*cking wicked! *Everyone* in the place was floored by his

selection. Every single track was devastating. I’m sort of gutted that I

missed the first hour despite hearing amazing stuff from Ramar at the same

time. DEMF-calibre conundrum…

Titonton came on and f*cking killed it. It was enormous. I’ve not seen a

techno (and a bit of house) set like that in ages. His scratching was

TP-superb and never overwhelming while his sense of how to mix perfectly

matched the tracks he was playing – like going from cut-up madness to a

three minute long-mix mix between deep house toons. And what a

brilliant chap! He sacrificied the last 30 minutes of his set to let Matthew

Puffet come on and mix for about an hour or so as they closed the 2nd room,

since he had sold everyone in the main room, then came back on after Matthew

Puffet’s (also great) set and took off where he left off. Nic Larsen closed

with a half-dozen classics and it was sealed. I seriously doubt anyone will

forget this one.

Despite a severe hangover, I made it up to Cargo for Sunday night. Some of

the best £4 I’ve ever spent. Fat Freddy’s (???)… were wicked. Their 15

minute version of Midnight Marauders was stunning, preceeded by a funk track

that was almost as long and equally epic, followed by a nearly 20 minute

apparently improvised song with a London ragga MC, which segued into the

actual song, punctuated with the lead singer’s Razzell-esque

vocal-scratching after he’d just done his Motown vocals. Wow! Very

cativating.

Recloose followed with a nice dub-into hip hop and house set that really hit

the spot. I’ve never been floored by his DJ mechanics, but I have to give it

up for his sense of when to drop the (very) short mix despite one horrendous

4 minute train wreck in the middle that he wouldn’t let go. Surprisingly,

after that he proceeded to enter deep house mixing zone and rode it out in

immaculate style, carrying every mix at legth to perfection. What a way to

end a beautful weekend in London! With so much coming up, this is shaping up

to be a legendary Summer!

System

I don’t think I’ve seen a crowd as up for it on a Thursday since I was last in London @ Buramba. But that was drum ‘n bass and this is techno. I wandered in soon after 10 and the first song I heard was Theo Parish’s ‘I Can’t Take It’. This is a techno night if ever there was one and Mark Broom was playing Theo Parish! At any rate… that didn’t last long. Within 4 songs he was well into techno, but not long thereafter I heard two songs from Designer Music Volume 1 and Rob Hood’s ‘Detroit: One Circle’. By 11:00 the place was filling up and by 11:30 it was full. Mark Broom’s set was seriously top-notch. I didn’t disagree with a single song. Most of it took me by surprise. Towards the end he really cranked it up to lead into Carolla and played his latest track with that severe bass-driven beat and the ghostly whail. Not sure what it’s called, but it sounded SICK on the Propoganda sound system. Mark Broom was brilliant. I can’t say enough good things about his set. Everything I’m looking for in a techno DJ.

Marco Carolla got on and tore it up for about 5 tracks, then settled into ‘European style’ a bit much for my taste. The mixing was great, and I was feeling about 1/3 of the tracks, but the other tracks were a tad
unfulfilling.

Chris Liebing got on and after about 10 minutes of setting up odd gear ripped into it, but I felt about the same during his set as I did during Carolla’s. Great moments, but the total track selection didn’t cut it. However, I had a great time, dancing most of the night, largely because the crowd was so into it.

M_nus @ The End

Got off the tube @ Oxford Circus and walked past Soho. That brought back a lot of good memories from my last two trips. Arrived with almost no line at 10:15. First person I see is Derek Plaslaiko setting things up. Hung out with him periodically throughout the night, which was fun since I was there by myself and haven’t met enough London [313]ers to know who was there. Speaking of [313], this little insert is my review of the evening:

Magda absolutely killed it. Despite a few turntable difficulties that she navigated through with poise, her set was nearly flawless and covered a lot of ground. I caught almost all three hours. Lots of glitchy/clicks ‘n cuts material, both techno and electro, but some older bleepy techno thrown in for good measure too. She went through one phase where she played a lot of very bizarre electro not long before Hawtin came on that was unlike anything I’ve heard before. Favorite cut of the night was (I think a remix of) “I ain’t f*cked all week”. The crowd was really responsive and energetic, much moreso than I would have expected for the riskiness of the material she played, and older (less raverific) than on my previous trips to The End.

Unfortunately, I missed most of Clark Warner, who on any other night would have been my first choice, but I don’t think I’ve seen Magda play in three years and I really wanted to give Hawtin another chance in a receptive venue, especially after all the great reviews I’ve heard recently. When I ran over to the lounge to get beer, Warner was playing excellent stuff, from some early industrial stuff to Burial Mix to disco. Nothing less than the eclecticism you would expect.

Hawtin came on to a frenzied crowd. Magda could not have set him up much better, and she played a little into his set, which only increased the anticipation. I didn’t recognize many of the tracks he was playing, but it’s evident he’s exited the pure locked-groove mode. I guess ‘minimal’ is the best way to describe it, although he does so much effects work the end result is anything but. I must tip my hat, b/c this was *by far* the best track selection I’ve heard him play, especially for the first hour or so. I was very into it, and I am not generally a fan. If I was to give a really harsh criticism, I’d say that *at times* the effects overload can create a ‘progressification’ of the music, with similar peaks and valleys. However, there were plenty of times when the effects work was stunning, and his general mastery of his gear is unequalled. Sometimes his hands move at Mills speed, adjusting buzillions of settings in a few seconds. I’d be interested to hear reviews of how the rest of the set went, since I reluctantly left around 3:00 to find my way to the closest bus stop. It was nice that it was pretty full, but not teaming in there. It was a really comfortable audience size.

Final Scratch through a Sony VAIO seemed to work very well if not perfectly, for what it’s worth. Also of note: they were using his old effects unit, the Ensoniq DP-4 rather than the Lexicon b/c that one broke. Didn’t miss a beat if you ask me. This ought to shock some people: the record at the back of one of his crates was Pepe Braddock’s ‘Burning’. I would’ve really loved to hear him play that. Also cool: The End has the sound settings for regular DJs permanently programmed into their system – you could tell, and Hawtin was really punishing it (in a good way).